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a-l-ancien-regime: Jean-Antoine Houdon. Louise Brongniart 1777 Terracotta, height 35 cm Musee du Louvre, Paris

a-l-ancien-regime:

Jean-Antoine Houdon. Louise Brongniart

1777

Terracotta, height 35 cm

Musee du Louvre, Paris

(via 18thcenturylove)

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caravaggista: Caravaggio, Mary Magdalen in Ecstasy, 1606 The Mary Magdalene is a stark image of exile, of anguish, and guilt … Caravaggio had killed a man, and come close to death himself, and the first instinct of a Catholic was to make an act of contrition. His Magdalene  is the sinner who spent many years in solitary penitence; she conveys the sense of desolation and abandonment that is part of the mystical experience; and the divine light creates a dazzling darkness. — Helen Langdon

caravaggista:

Caravaggio, Mary Magdalen in Ecstasy, 1606

The Mary Magdalene is a stark image of exile, of anguish, and guilt … Caravaggio had killed a man, and come close to death himself, and the first instinct of a Catholic was to make an act of contrition. His Magdalene  is the sinner who spent many years in solitary penitence; she conveys the sense of desolation and abandonment that is part of the mystical experience; and the divine light creates a dazzling darkness. — Helen Langdon

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peril: The Valpinçon Bather (1806), Oil on canvas, Louvre, Paris | artwork by Jean Auguste Dominique Ingres

peril:

The Valpinçon Bather (1806), Oil on canvas, Louvre, Paris | artwork by Jean Auguste Dominique Ingres

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antitacta: Odd Nerdrum, Amputation, 1968.

antitacta:

Odd Nerdrum, Amputation, 1968.

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